The ‘digital turn in the humanities’ has inevitably raised a number of questions about how digital technologies have transformed research, teaching and dissemination in Modern Languages. While hybridity still tends to dominate...
“… L’attività poetica è diventata una continua invenzione, una creazione quotidiana (re-invenzione poetica del quotidiano), la poesia tende a essere non più esercizio letterario (sui sintagmi e il linguaggio usato) ma azione,...
[This post was originally published in the Language Acts and Worldmaking blog] Last June I had the pleasure to give a talk at the workshop Mapping Multilingualism and Digital Culture organised by...
A few weeks ago, Interdisciplinary Italy launched a call for blog posts on the topic ‘Collaborative Artistic Theory and Practice’. Please find below our opening position paper. In a 1963 seminal article published in...
Collaborative work has been one of the underpinning principles of Italian avant-gardist, experimental and interdisciplinary artistic practices. From the early Futurist experiments of collective writing by Gruppo dei Dieci to the later...
“Ignoro né mi interessa appurare se l’educazione pittorica dia luogo a uno speciale modo di scrivere. Ciò che mi interessa è il percorso, l’esperienza, l’aver vissuto determinate sensazioni. Volevo fare il pittore,...
Throughout his career, Pier Paolo Pasolini (1922-1975) experimented across a variety of artistic media, including poetry, fiction, cinema, drama, and painting. Yet it is in his early cinema – the so-called “national-popular...
Review of: Media Art. Towards a New Definition of Arts in the Age of Technology (Rome: Fondazione Mondo Digitale, 2015) Edited by Valentino Catricalà Review by Emanuela Patti Between 25th February and...